8.31.2008

where word is god

Even more than in the poem, it is in the aphorism that the word is god.

—E. M. Cioran, Drawn and Quartered, translated by Richard Howard, Arcade Publishing, 1971

8.30.2008

blowing the bridges

A poet who blows the bridges of the lines behind him.

8.29.2008

bad company

At the open mike I fell in with a bad crowd.

8.28.2008

intrument of intimacy

After the advent of email, only the poem was left to replace the letter as an instrument of intimate communication.

8.27.2008

burst reader

Some people can read a book from beginning to end. I tend to be a burst reader, reading no more than a page or two at time. Perhaps this explains my poetry affinity.

8.26.2008

llittle said thus loud

Words strike us as loud when they’re trite and spoken at a significant decibel level. Uttered at the top of one’s lungs, good poetry won’t hurt the ears.

8.25.2008

imaginary parks

According to [Jean] Starobinski, Rousseau argued that civilization veils the transparency of nature; I want to ask if poetry can unveil that transparency….The experiment is this: to see what happens when we regard poems as imaginary parks in which we may breathe an air that is not toxic and accommodate ourselves to a mode of dwelling that is not alienated.

At the same time, it is necessary to recognize that experiments tend to be conducted in artificial conditions. The imagination is a perfect laboratory, cleansed of the contaminations of history. The true poet has to be simultaneously a geographer of the imagination and a historian of the alienations and desecrations that follow the march of ‘civilization’.

--Jonathan Bate, The Song of the Earth, Harvard Univ. Press, 2000

8.19.2008

DNA of lit

Quotes are the DNA of literature.

8.18.2008

bush pilot

Sometimes one fears that last line will never come, one feels like a bush pilot running low on gas, hoping to find an airstrip cut out of the wilderness.

8.17.2008

no axioms

Poetry hasn’t axioms; it has some formulas, but all of those have at least one variable.

8.15.2008

secret life

He had made poetry his secret life. But he realized after a time that no one was searching for what he’d hidden.

8.14.2008

natter manner

The natter mannerists: the ‘talk poets’.

8.13.2008

dread word

Dread the last word, so much you enjoyed the poem’s writing, or reading.

8.12.2008

sum of the ideas

Tout poète véritable, indépendamment des pensées qui lui viennent de la vérité éternelle, doit contenir la somme des idées de son temps.

Every true poet, independently of the notions that come to him from eternal truth, should contain the sum of the ideas of his times.

—Victor Hugo, Les Rayons et les Ombres (1840, Preface)

8.11.2008

parody paradox

No one quotes from the great parody.

8.10.2008

in defense of criticism

One reason to read criticism is to write less, and, secondarily, to make it harder to write the next poem.

8.08.2008

our cult

By the late twentieth century it was possible to consider those who pursued poetry as members of a cult.

8.07.2008

one thing

Today I want to do one thing: to write a beautiful line.

8.05.2008

world in miniature

The genuine poet is all-knowing—he is an actual world in miniature.

—Novalis, Pollen and Fragments, translated by Arthur Versluis (Phanes Press, 1989), p.124


8.04.2008

render unto the reader

Render unto the reader what the reader has reason to expect. That may not always be meaning but it must be a meaningful experience.