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5.29.2022
yadda yadda yaddo
A writer who took pride in having done the full circuit of residencies and retreats.
5.28.2022
5.27.2022
5.26.2022
5.24.2022
5.22.2022
5.20.2022
5.19.2022
block off the chip
The book I ordered, a study of the fragment in literature, arrived today. Turns out it’s over four-hundred pages.
5.18.2022
blood to poem
Hard for the word to travel from blood to poem.
—Yannis Ritsos, Monochords (Tavern Books, 2017), translated by Paul Merchant.
—Yannis Ritsos, Monochords (Tavern Books, 2017), translated by Paul Merchant.
5.17.2022
5.16.2022
5.15.2022
5.13.2022
5.12.2022
poor poet
Poor poet. (One who earns no income from poetry writing.)
Poor poet. (One who writes inferior poetry.)
Poor poet. (An expression of sympathy for one who struggles to write superior poems.)
Poor poet. (One who writes inferior poetry.)
Poor poet. (An expression of sympathy for one who struggles to write superior poems.)
5.11.2022
foreign language
A work of art, like a foreign language, is closed to us until we learn to read it. Meaning is latent, seemingly hidden. There is also the illusion that the meaning is concealed. A work of art is a structure of signs, each meaningful. It follows that a work of art has one meaning only. For an explicator to blur an artist’s meaning, or to be blind to his achievement, is a kind of treason, a betrayal. The arrogance of insisting that a work of art means what you think it means is a mistake that closes off curiosity, perception, the adventure of discovery.
—Guy Davenport, A Balthus Notebook (David Zwirner Books, n.d.)
—Guy Davenport, A Balthus Notebook (David Zwirner Books, n.d.)
5.09.2022
5.08.2022
important poetry
When one reads enough poems, one learns the important entry points to the universe.
5.07.2022
5.05.2022
5.04.2022
5.03.2022
first principle
The first principle of architectural beauty is that the essential lines of a construction be determined by a perfect appropriateness to its use.
—Gustave Eiffel
The first principle of poetic beauty is that the essential lines of a construction be determined by a perfect appropriateness to its effect.
—Gustave Eiffel
The first principle of poetic beauty is that the essential lines of a construction be determined by a perfect appropriateness to its effect.
5.02.2022
no outer limit
Language itself is perhaps the only limit on what poetry can be, and sometimes I’m not sure that even that boundary holds.