“I have tried to present my sensations in what is the most congenial and impressive form possible to me. The technical obstacles of painting perhaps dictate the form. It derives also from the limitations of personality, and such may be the simplifications that I have attempted. I find in working always the disturbing intrusion of elements not a part of my most interested vision, and the inevitable obliteration and replacement of this vision by the work itself as it proceeds. The struggle to prevent this is, I think, the common lot of all painters to whom the invention of arbitrary forms has lesser interest. I believe that the great painters with their intellect as master have attempted to force this unwilling medium of paint and canvas into a record of their emotions. I find any digression from this large aim leads me to boredom.”
—Edward Hopper, “Notes on Painting,” 1933, MOMA exhibit catalogue
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