In his long life (seventy-six years) Oppen wrote little prose and fewer than 300 pages of verse. If we have more of him than we have of Catullus, it’s not by much. He prized what took time, found the grain of materials, exacted accuracy. He’d been a tool-and-die maker and a cabinet worker. He once interrupted some blather about Biblical translation by remarking that what they needed for the job was a carpenter: no, better: “a Jewish carpenter.”
WORKMAN
Leaving the house each dawn I see the hawk
Flagrant over the driveway. In his claws
That dot, that comma
Is the broken animal: The dangling small beast knows
The burden that he is: he has touched
The hawk’s drab feathers. But the carpenter’s is a culture
Of fitting, of firm dimensions,
Of post and lintel. Quietly the roof lies
That the carpenter has finished. The sea birds circle
The beaches and cry in their own way,
The innumerable sea birds, their beaks and their wings,
Over the beaches and the sea’s glitter.
[poem by George Oppen]
—Hugh Kenner, “George Oppen: In Memoriam,” Poetry Project Newsletter, Oct. 1984 , Mazes: essays by Hugh Kenner (North Point Press, 1989).
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