There are certain poems I have long thought of as “pebbles”: small, a little intractable, lithic in their singleness of perception. Like an actual pebble, cold until warmed by an exterior heat source; like an actual pebble, unwavering in outlook and replete in simple thusness. The conception of this term, I’m sure, bows more than a little in the direction of Zbigniew Herbert’s famous poem; but I recognized the type long before reading his
“Pebble”…
—Jane Hirshfield, “Skipping Stones,” Circumference is My Business: Poets on Influence and Mastery (Paul Dry Books, 2001), edited by Stephen Berg.
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