Poems are creatures we put into the world to respond to us, and to whom we, in turn, respond. And marvelously there’s always room for more.
—Irving Feldman, Usable Truths (Waywiser Press, 2019)
2.28.2021
2.27.2021
wish, wait, will
Some wish for the poem, some wait for the poem, some will the poem.
Labels:
composition,
wait,
will,
wish,
writing practice
2.26.2021
time spent
On the side of critics, often good criticism takes much longer than the original composition.
Labels:
composition,
criticism,
time
2.25.2021
selection is criticism
Even organizing a reading series is a critical act.
Labels:
critical act,
criticism,
reading series,
selection
2.24.2021
foam and sand
Every month Poetry magazine arrives in the mail and I think of waves on a beach, a wash of white foam dissipating into the sand.
Labels:
beach,
foam,
poetry magazine,
sand
2.22.2021
2.21.2021
nature and artifice
A vapour trail cuts across and above some untidy clouds, across the blue, before and after the clouds, as I look up through trees blown by a strong wind. A Gestalt centering on that intimate mixture of nature and artifice. A poem—perhaps.
—Geoffrey Grigson, The Private Art: A Poetry Note-Book (Allision & Busby, 1982)
—Geoffrey Grigson, The Private Art: A Poetry Note-Book (Allision & Busby, 1982)
2.20.2021
blurbs get behind me
The poet was pleased her reputation had risen to the point she was no longer obliged to gather blurbs.
Labels:
blurbs,
publishing,
reputation
2.19.2021
reading time
Was I a slow reader or did poetry just reveal itself slowly?
Labels:
reading poetry,
reveal,
slow,
slow reader
2.18.2021
running behind
You can’t make up lost ground in the poem by adding more words.
Labels:
composition,
more,
words
2.17.2021
2.16.2021
prepare to read
One must make ready for an encounter with poetry.
Labels:
encounter,
prepare,
reading poetry,
ready
2.15.2021
ultimate funny
I love my funny poems, but I'd rather break your heart. And if I can do both in the same poem, that's the best. If you laughed earlier in the poem, and I bring you close to tears in the end, that's the best.
—James Tate, The Paris Review (Issue 177, Summer 2006) interview by Charles Simic.
[New website honoring James Tate.]
—James Tate, The Paris Review (Issue 177, Summer 2006) interview by Charles Simic.
[New website honoring James Tate.]
Labels:
funny poems,
heart,
humor,
james tate,
tears
2.13.2021
stealth poems
There are many songs that poets don’t recognize as true poems.
Labels:
lyrics,
music,
songs,
stealth,
true poems
2.11.2021
compressed composition
He found that he could only force poems to happen. And the shorter the time to write the poem, the better.
Labels:
composition,
force,
time,
writing method
2.10.2021
2.09.2021
open book critic
It’s okay to be a disagreeable critic as long you can convince the reader that your opinion may be flawed and you’re still open to being awed.
Labels:
awe,
critic,
critical approach,
flaw
2.07.2021
to wilt too soon
A bouquet of flowery blurbs graced the back cover.
Labels:
back cover,
blurbs,
bouquet,
flowery
2.05.2021
painting, meaning, music
Every sensible definition of poetry is personal—is attuned to a poet’s own habit and nature—and is incomplete. If you collected all such definitions of poetry by poets, no doubt they would stand in a circle, with poetry, or life, or essence of man, in the middle, as clear at last as a poem. At the moment I am for Pasternak’s conclusion that poetry ought to contain painting and meaning, in addition to music.
—Geoffrey Grigson, The Private Art: A Poetry Note-Book (Allision & Busby, 1982)
—Geoffrey Grigson, The Private Art: A Poetry Note-Book (Allision & Busby, 1982)
Labels:
circle,
definition,
meaning,
painting music,
pasternak,
poetry is
2.04.2021
not too much fidelity
Writers insist that editors be faithful toward their texts; but not faithful to their typos or other errors therein.
Labels:
editor,
errors,
faithful,
publishing,
typos
2.02.2021
the time it takes
Slow poetry: publishing a broadside.
Labels:
audience,
broadside,
letterpress,
slow poetry
2.01.2021
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