Let me repeat my conclusion: sounds in practical language (practical verbal thinking) don’t possess independent value, they don’t draw our attention, and we are not consciously aware of them. In poetic language (poetic verbal thinking), conversely, sounds do become the focus of our attention; they acquire independent value, and we become consciously aware of them.
[…]
Mikhail Lermontov, too, provides compelling evidence on this topic. He frequently writes of the sounds of words, separating them from their meanings. Thus, a variant of his poem “Angel” reads:
The soul settled down amid earthly creation
But it felt estranged in this world.
Of one thing only it dreamed: sacred sounds,
Their meaning it did not remember.
—L. P. Yakubinsky, On Language and Poetry (Upper West Side Philosophers, 2018), translated by Michael Eskin
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