1.29.2020

waist deep and weilding

The intrepid poet wades into language without fear.

1.28.2020

music before content

A poet's attunement to the activity of his speech organs can trigger corresponding aural (phonic) 'ideas', in which case a poem's sound structure is tied to the poet's phonic imagination, and the sequence of speech organ movements or sequence of phonic imaginings marks the inception of poetic thinking. That's what poets mean when they say that poetry begins with sound. Schiller, for instance, would often hear "a poem's music in [his] soul first, before having a clear idea of its content" (cited in Ernest Dupré and Marcel Nathan, le langage musical: Étude medico-psychologique, 1911)

—L. P. Yakubinsky, On Language and Poetry (Upper West Side Philosophers, 2018), trans. by Michael Eskin.

1.27.2020

mind made

Imagination is not experience. Imagination is experience manqué.

1.25.2020

six shooter

The dread of recognizing the sestina form on a page.

1.24.2020

where to begin

Knowing there was so much of the poet to read, I found it hard to start.

1.23.2020

poem without bounds

To write an inexhaustible poem.

1.22.2020

woven design

A poem as intricately patterned as an oriental rug.

1.20.2020

wrong blocks

After Harry Thurston Peck, editor of The Bookman, had reviewed Robinson's first collection, finding the author's "humor is of a grim sort, and the world is not beautiful to him, but a prison house."

[Robinson responded in the letter to Peck.] "I'm sorry to learn that I have painted myself in such lugubrious colors..." [Going on to say:]

“The world is not a prison house, but a kind of spiritual kindergarten where millions of of bewildered infants are trying to spell God with the wrong blocks.”

―Edwin Arlington Robinson, quoted in Edward Arlington Robinson: A Poet's Life, by Scott Donaldson.

1.18.2020

three too many

Is there an example of a tripartite metaphor?

1.17.2020

audience held

One feels most like a poet in that bardic moment speaking before enrapt faces.

1.15.2020

library of the mind

He closed his eyes and saw in his mind where all his books were, those shelved and those stacked on their sides. When he opened his eyes, he couldn’t find the one title he was looking for.

1.14.2020

lit is

To write a singular document.

1.12.2020

drives on

The truck-driver poet looked at each exit ramp as a possible ending before he speeded past.

1.11.2020

wind flow

[Episodes of Eccentrics Among Haikai Poets, 1816, compiled by Takenouchi Gengen’ichi] begins its description of Sutejo this way:

    […] From a very young age, she showed signs of a poetic turn of mind. In the winter of her sixth year, she made:

       Yuki no asa ni no ji ni no ji no geta no ata
       Morning snow: figure two figure two wooden clogs marks

    Because of this, one year she received a poem from someone exalted:

       Kayahara no oshi ya suti oku tsuyu no tama
       Too good to be left in a weedy field: this drop of dew.

The original word for what’s given as “a poetic turn of mind” is fūryū, literally “wind flow”—an expression that can’t be translated to anyone’s satisfaction. It refers to a liking for things somewhat unworldly or transcendental or the object of that inclination, such as poetry. Among its synonyms is fūga, which carries a greater dose of “elegance” or “refinement.” Another synonym, fūkyō, suggests “poetic dementia.” Any haikai person must be imbued with fūryū, fūga, or fūkyō.

—Hiroaki Sato, On Haiku (New Directions, 2018)

1.10.2020

one among many

Each of us playing a small part in the poetry’s panoply.

1.09.2020

dog-ear bookmark

The dog-eared page could mark an important passage, a run of words to return to, or it could mean a stopping place, when then where the book was closed, set aside and never opened again.

1.08.2020

with all they have

The worst of the formalist poets are most vehemently opposed to free verse.

1.07.2020

dark passage

You knew going in, this was a poem you’d be lucky to elucidate.

1.05.2020

let there be dancing

When writing finally returned to Greece, in the eighth century B.C., the new Greek writing, its users, and its uses were very different. The writing was no longer an ambiguous syllabary mixed with logograms but an alphabet borrowed from the Phoenician consonantal alphabet and improved by the Greek invention of vowels. In place of lists of sheep, legible only to scribes and read only in palaces, Greek alphabetic writing from the moment of its appearance was a vehicle of poetry and humor, to be read in private homes. For instance, the first preserved example of Greek alphabetic writing, scratched onto an Athenian wine jug of about 740 B.C., is a line of poetry announcing a dancing contest: “Whoever of all dancers performs most nimbly will win this vase as a prize.”

—Jared Diamond, Guns, Germs, and Steel (W. W. Norton & Co., 1999)

1.04.2020

book of spells

The fortune-teller poet thought you wouldn’t notice that her book of spells was a battered unabridged dictionary.

1.03.2020

easy target

Like a parodist, the plagiarist should aim higher.

1.01.2020

long view

Literature is one long poem.