If no white space cushioned the poem its language would have to brush up against the language of the world. The world where language buys sausages and fills insurance forms. Where it writes rejections and makes empty promises. Where it speaks in parliaments and fudges truth and sells cosmetic surgery and guns. And if there were no white space to mark it off, how would we know the difference? They are only little words. Even the innocent ones amongst them look like repeat offenders, like the lying sort.
‘Don’t play what’s there,’ Miles Davis said, ‘play what’s not there.’ Play the void. Play the white space. Play outside the frame.
If only there were ways of framing off the worst of our lives. Of containing it. Forbidding it to leak into the rest of our well-lived days.
—Vona Groarke, Four Sides Full (The Gallery Press, 2016)
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