6.30.2017
6.29.2017
no afterlife
Often the poems will die with the poet. And sometimes the poems go first.
Labels:
death,
legacy,
lives of the poets
6.28.2017
decibel level
No deep truth has ever been shouted.
—Juan Ramon JimĂ©nez, The Complete Perfectionist: The Poetics of Work, translated and edited by Christopher Maurer (Doubleday, 1997), p. 150.
—Juan Ramon JimĂ©nez, The Complete Perfectionist: The Poetics of Work, translated and edited by Christopher Maurer (Doubleday, 1997), p. 150.
Labels:
human voice,
loudness,
reading aloud,
shout,
slam
6.27.2017
four-legged audience
Being a poet, sometimes he found himself reading to empty chairs.
Labels:
audience,
lives of the poets,
poetry reading
6.26.2017
author of itself
A poem should have the virulent integrity of Coriolanus.
Labels:
coriolanus,
integrity,
shakespeare,
virulent
6.25.2017
untouched by any other
An image so whole and complete unto itself, that it would forever ignore the attraction of metaphor.
6.24.2017
new worlds
After a youth spent leafing through thick dictionaries, after so many years of reading across various genres, how is it I’m still discovering new words? Which is to say new worlds, as though a telescope trained on deep space as the faintest and most distant of stars slowly become visible.
Labels:
age,
deep space,
dictionary,
discover,
distant,
faint,
stars,
telescope,
time,
words
6.23.2017
6.22.2017
6.21.2017
wood product
It has been speculated that the English word “book” in fact comes from the Anglo-Saxon word for beech (boc), the favored material from which the panels of tablets were fashioned.
—Matthew Battles, Library: An Unquiet History (Norton, 2003)
—Matthew Battles, Library: An Unquiet History (Norton, 2003)
Labels:
beech,
book,
book making,
codex,
library,
matthew battles
6.19.2017
6.18.2017
6.17.2017
long and strong
A long poem with the influence of the Old Testament.
Labels:
aspiration,
bible,
influence,
long poem,
old testament
6.15.2017
neither here nor there
The words are never where they're supposed to be.
Labels:
composition,
order,
placement,
words
6.11.2017
6.09.2017
no arbitrary boundary
He [Edgar Allan Poe] was so much against slavery that he had begun to include prose and poetry in the same book, so that there would be no arbitrary boundaries between them.
—Ishmael Reed (epigraph to Paul Metcalf’s Both, p378 in Collected Works, vol. II.)
[n.b.: Quote encountered while browsing a reading area in the Black Mountain College Museum + Art Center in Asheville, NC.]
—Ishmael Reed (epigraph to Paul Metcalf’s Both, p378 in Collected Works, vol. II.)
[n.b.: Quote encountered while browsing a reading area in the Black Mountain College Museum + Art Center in Asheville, NC.]
6.04.2017
6.03.2017
6.02.2017
hard pressed
Oppression makes poets. In the land of perfect liberty songs are not pressed out of the heart.
—Elia Peattie
—Elia Peattie
Labels:
heart,
liberty,
oppression,
political poems,
times
6.01.2017
no turning away
He’d set out to write manifestly great poems: The dream of writing poems that upon first reading drew a devoted audience.
Labels:
ambition,
audience,
dream,
great poem
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