Showing posts with label order. Show all posts
Showing posts with label order. Show all posts
2.16.2022
too much order
There is something about too close attention to metrics that tilts to science and away from art.
1.20.2021
new order rhetoric
A poem that raised rhetoric to a new order.
[Thinking of Amanda Gorman's inaugural poem.]
[Thinking of Amanda Gorman's inaugural poem.]
Labels:
amanda gorman,
inaugural poet,
occasional poem,
order,
rhetoric
4.15.2020
7.17.2017
what it is
Given that we agree the poem is accessible, would that be the first attribute you’d mark it with?
Labels:
accessible,
attribute,
hierarchy,
order,
praise
6.15.2017
neither here nor there
The words are never where they're supposed to be.
Labels:
composition,
order,
placement,
words
2.22.2017
2.21.2017
2.21.2015
sublimity of the spectacle
…imagine the stars, undiminished in number, without losing any of their astronomical significance and divine immutability, marshalled in geometrical patterns; say in a Latin cross, with the words In hoc signo vinces in a scroll around them. The beauty of the illumination would be perhaps increased, and its import, practical, religious, cosmic, would surely be a little plainer; but where would be the sublimity of the spectacle? [And he answers.] Irretrievably lost.
—George Santayana, The Sense of Beauty (Scribners, 1896).
—George Santayana, The Sense of Beauty (Scribners, 1896).
Labels:
aesthetics,
beauty,
chaos,
geometrical,
george santayana,
Latin,
night sky,
order,
pattern,
scroll,
stars,
sublime
10.24.2014
organizing principle
He would spend many hours arranging each poem within a book, but a collected poems by convention is just one book after another in chronological sequence.
Labels:
book,
chronology,
collected poems,
order,
organization,
sequence
9.25.2014
pace coleridge
Available words in the only possible order that would be a poem.
Labels:
available,
definition,
order,
poetry is,
samuel taylor coleridge,
words
3.04.2013
thrown together text
A long poem without a discernible organizing principle, without narrative or without a recurring theme, and comprised of discrete and easily separable sections that could be reordered without diminishment to the whole, is not a long poem.
Labels:
long poem,
narrative,
order,
organizing principle,
theme
10.30.2012
wild in ordered manner
Stevie [Smith] probably did read too much for her own happiness, but for her poetry the result was a well of association sunk through centuries. She also read a great deal outside of English, particularly in French, and especially Racine, whose decorous example helped inspire the finely calibrated play of tone which permitted her to run wild in an ordered manner.
—Clive James, “Stevie Smith: Not Drowning but Waving,” As Of This Writing: The Essential Essays, 1968-2002 (Norton, 2003)
—Clive James, “Stevie Smith: Not Drowning but Waving,” As Of This Writing: The Essential Essays, 1968-2002 (Norton, 2003)
Labels:
clive james,
french poetry,
happiness,
order,
quote,
racine,
reading,
stevie smith,
tone
12.17.2010
reader subverts author
The poet spends an inordinate time arranging and ordering the poems in the collection, and then I just crack it open and start reading here & there.
6.01.2010
Subscribe to:
Posts (Atom)