I looked out the window of the Pullman at the great muddy river flowing down toward the heart of the South, and I began to think what that river, the old Mississippi, had meant to Negroes in the past—how to be sold down the river was the worst fate that could overtake a slave in times of bondage. Then I remembered reading how Abraham Lincoln had made a trip down the Mississippi on a raft to New Orleans, and how he had seen slavery at its worst, and had decided within himself that it should be removed from American life. Then I began to think about other rivers in our past—the Congo, and the Niger, and the Nile in Africa—and the thought came to me: “I’ve known rivers,” and I put it down on the back of an envelope I had in my pocket, and within the space of ten or fifteen minutes, as the train gathered speed in the dusk, I had written the poem, which I called “The Negro Speaks of Rivers.”
—Langston Hughes, The Big Sea, in The Langston Hughes Reader (G. Braziller, 1958).
Showing posts with label slavery. Show all posts
Showing posts with label slavery. Show all posts
10.16.2020
6.09.2017
no arbitrary boundary
He [Edgar Allan Poe] was so much against slavery that he had begun to include prose and poetry in the same book, so that there would be no arbitrary boundaries between them.
—Ishmael Reed (epigraph to Paul Metcalf’s Both, p378 in Collected Works, vol. II.)
[n.b.: Quote encountered while browsing a reading area in the Black Mountain College Museum + Art Center in Asheville, NC.]
—Ishmael Reed (epigraph to Paul Metcalf’s Both, p378 in Collected Works, vol. II.)
[n.b.: Quote encountered while browsing a reading area in the Black Mountain College Museum + Art Center in Asheville, NC.]
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