Beware nevertheless of false dualities: classical and romantic, real and ideal, reason and instinct, mind and matter, male and female—all should be merged into each other (as a Taoists merged their Yin and Yang in the Tao) and should be regarded as two aspects of one idea. […]
Yet ridiculous as may seem the dualities in conflict at a given time, it does not follow that dualism is a worthless process. The river of truth is always splitting up into arms that reunite. Islanded between them, the inhabitants argue for a lifetime as to which is the mainstream.
—Cyril Connolly, The Unquiet Grave: A Word Cycle by Palinurus (Persea Press, 1981; first published in Curwen Press in 1944)
Showing posts with label cyril connolly. Show all posts
Showing posts with label cyril connolly. Show all posts
7.25.2018
8.16.2014
timing and spacing
The English language is like a broad river on whose bank a few patient anglers are sitting, while, higher up, the stream is being polluted by a string of refuse-barges tipping out their muck. The English language has, in fact, so contracted to our own littleness that it is no longer possible to make a good book out of words alone. A writer must concentrate on his vocabulary but must also depend on the order, the timing and spacing of his words, and try to arrange them in a form which is seemingly artless, yet perfectly proportioned. He must let a hiatus suggest that which language will no longer accomplish. Words today are like the shells and rope of seaweed which a child brings home glistening from the beach and which in an hour have lost their lustre.
—Cyril Connolly, The Unquiet Grave: A Word Cycle by Palinurus (Persea Press, 1981; first published in Curwen Press in 1944)
—Cyril Connolly, The Unquiet Grave: A Word Cycle by Palinurus (Persea Press, 1981; first published in Curwen Press in 1944)
Labels:
arrangement,
cyril connolly,
English,
hiatus,
lustre,
quote,
shells,
spacing,
timing,
vocabulary,
words
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