But I would raise the question…whether what I have called “matter of fact” criticisms (of which there have been a good many varieties) are not less likely, in general, to do violence to our common sense of apprehension of literature or poetry than the “abstract” criticisms I have contrasted with them. The “abstract” method , as Hume said, apropos of its use in morals, “may be more perfect in itself, but suits less the imperfection of human nature, and is a common source of illusion and mistake in this as well as in other subjects.”
—R.S. Crane, The Languages of Criticism and the Structure of Poetry (U. of Toronto Press, 1953)