…Japanese poets and painters might say with Yves Bonnefoy: imperfection is the acme of achievement. The imperfection, as has been noted, is not really imperfect: it is a voluntary act of leaving unfinished. Its true name is awareness of the fragility and precariousness of existence, an awareness of that which knows itself to be suspended between one abyss and another. Japanese art, in its most tense and transparent moments, reveals to us those instants—because each is only that, an instant—of perfect equilibrium between life and death. Vivacity: mortality.
—Octavio Paz, "The Tradition of the Haiku," Convergences: Essays on Art and Literature (Harcourt Brace Jovanovich, 1987), translation by Helen Lane
Showing posts with label imperfect. Show all posts
Showing posts with label imperfect. Show all posts
5.10.2025
5.21.2023
from an open window
The food does not always taste best in first-class restaurants. To me, art almost always speaks more forcefully when it appears in an imperfect, accidental, and fragmentary way, somehow just signaling its presence, allowing one to feel it through the ineptitude of the interpretation. I prefer the Chopin that reaches me in the street from an open window to the Chopin served in great style from the concert stage.
—Witold Gombrowicz (1904-1969), Diary (Yale U. Press, 2012), translated by Lillian Vallee
—Witold Gombrowicz (1904-1969), Diary (Yale U. Press, 2012), translated by Lillian Vallee
Labels:
accidental,
aesthetics,
chopin,
fragmentary,
imperfect,
interpretation,
music,
window,
witold gombrowicz
1.30.2022
1.13.2022
shared reading
Not to explain the poem, not to know the poem exactly, yet still trying to find a shared reading of the poem, however imperfect or partial.
Labels:
explain,
imperfect,
partial,
reading poetry,
shared
11.07.2010
imperfect paradise
"The imperfect is our paradise."
—Wallace Stevens, "The Poems of Our Climate"
--
Joan Richardson delivered an excellent talk last night for 15th Annual Wallace Stevens Birthday Bash entitled "Wallace Stevens' Radiant and Productive Atmosphere." A tracing of how the poet came to translate faith into his "supreme fiction.
The talk was based on an essay in Richardson's A Natural History of Pragmatism: The Fact of Feeling from Jonathan Edwards to Gertrude Stein.
—Wallace Stevens, "The Poems of Our Climate"
--
Joan Richardson delivered an excellent talk last night for 15th Annual Wallace Stevens Birthday Bash entitled "Wallace Stevens' Radiant and Productive Atmosphere." A tracing of how the poet came to translate faith into his "supreme fiction.
The talk was based on an essay in Richardson's A Natural History of Pragmatism: The Fact of Feeling from Jonathan Edwards to Gertrude Stein.
Labels:
faith,
imperfect,
paradise,
supreme fiction,
wallace stevens
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