Showing posts with label mood. Show all posts
Showing posts with label mood. Show all posts

10.07.2025

mood matters

Remember that your mood will determine how you read or hear a poem.

4.05.2025

markson notes

Ferdinand Magellan is credited with first circumnavigating the earth. It's not well known that his ship returned to Spain without him. Magellan died about two-thirds through the voyage, far from returning to his starting point in Spain, having been killed in fighting on an island called Cebu.

Directing the filming of Spartacus (1960), Stanley Kubrick dismissed his cinematographer Russell Metty and took over shooting himself. By contract Kubrick wasn’t able to erase Metty’s name from the credits. Spartacus didn’t win an Oscar for best picture, nor did Kubrick get the award for best director. Metty, however, won the Oscar for best cinematography.

Thomas Hardy’s wife wrote to a friend of theirs: “Tom’s in a very good mood today. He’s just written the most melancholy poem!”

12.05.2020

mood bias

Paying more attention to how my mood may influence my reaction to a work of art.

4.04.2015

worth breath

Say something worth breath.

—Yusef Komunyakaa, from “Safe Subjects,” Copacetic (Wesleyan U. Press, 1984)

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I love the raw lyricism of the blues. Its mystery and conciseness. I admire and cherish how the blues singer attempts to avoid abstraction; he makes me remember that balance and rhythm keep our lives almost whole. The essence of mood is also important here. Mood becomes a directive; it becomes the bridge that connects us to who we are philosophically and poetically. Emotional texture is drawn from the aesthetics of insinuation and nuance. But to do this well the poet must have a sense of history

—Yusef Komunyakaa, from “Forces that Move the Spirit: Duende and Blues,” commentary accompanying the poem “Safe Subjects,” in What Will Suffice: Contemporary Poets on the Art of Poetry (Gibbs-Smith, 1999), edited by Christopher Buckley and Christopher Merrill.

4.11.2006

paradoxically more personal

The impersonal style that thwarts the reader's access to the poet's point of view and narrative intention is paradoxically more idiosyncratic and personal than the poem that allows the reader to share the poet's meanings and moods.