spells, prayers, songs

The belief that words in themselves have the power to make things happen—especially words in extraordinary combinations—is one of the distinguishing features of native American thought; and it may be said that for people who share this belief a connection exists between the sacred and the verbal, or, to put it in more familiar terms, a connection between religion and poetry.

When the connection is broken, poetry begins to lose its audience. It may still be admired, but it comes to be recognized as a form of self-expression, unable to establish contact with supernatural forces. Not surprisingly, the word ‘poetry,’ as it is understood in English today, has no precise equivalent in native American languages. What are thought of by outsiders as Indian “poems” are actually spells, prayers, or words to songs.

—John Bierhorst, introduction to The Sacred Path: Spells, Prayers & Power Songs of the American Indians (Wm. Morrow & Co., 1983)

immortal form

Time stays, the canyon stays;
Their houses stay, split rock
Mortared with clay, and small.
And the shards, grey, plain or painted,
In the pale roseate dust reveal, conceal
The patterns of their days,
Speak of the pure form of the shattered pot.

We do not recreate, we rediscover
The immortal form, that, once created
Stands unchanged
In Time’s unchanging room.

—Janet Lewis, from “The Ancient Ones, Betátakin,” The Selected Poems of Janet Lewis (Swallow Press/Ohio University Press, 2000)

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