Showing posts with label precision. Show all posts
Showing posts with label precision. Show all posts
5.17.2018
finer points
The members of the workshop were much too comfortable using power tools, when precision instruments were called for.
Labels:
comfortable,
instrument,
power,
power tool,
precision,
workshop
4.30.2018
extremity's small room
FIVE—IN EXTREMITY’S SMALL ROOM
I want a poem which is made of compression, passion, precision, symmetry, & disruption.
I want a poetry which is fetishistic, a-Moral, obsessive, erotic, a poetry of Commission, a poem of pre-meditation, beneath (not above) the law, with malice aforethought. I want a poem of omission. [“Omissions are not accidents,” said Marianne Moore.] That which is withheld on the page is equal in importance to that which is Held.
—Lucie Brock-Broido, from “Myself a Kangaroo among the Beauties,” By Herself: Women Reclaim Poetry (Graywolf Press, 2000).
I want a poem which is made of compression, passion, precision, symmetry, & disruption.
I want a poetry which is fetishistic, a-Moral, obsessive, erotic, a poetry of Commission, a poem of pre-meditation, beneath (not above) the law, with malice aforethought. I want a poem of omission. [“Omissions are not accidents,” said Marianne Moore.] That which is withheld on the page is equal in importance to that which is Held.
—Lucie Brock-Broido, from “Myself a Kangaroo among the Beauties,” By Herself: Women Reclaim Poetry (Graywolf Press, 2000).
Labels:
disruption,
fetishistic,
law,
lucie brock-broido,
marianne moore,
omission,
passion,
poetics,
precision,
want
9.13.2015
precise song
George Oppen wrote, in his great poem “Route,” “If having come so far we shall have / Song // Let it be small enough.” I take this less to mean that our human capacity for song is (or should be) diminished than that it should, in a time of crisis and violence, be particular. Almost anything is beautiful if particular enough—something Oppen, in his relentless quest for precision and specificity, well knew.
—G. C. Waldrep, Poems and Their Making: A Conversation (Etruscan Press, 2015), moderated by Philip Brady.
—G. C. Waldrep, Poems and Their Making: A Conversation (Etruscan Press, 2015), moderated by Philip Brady.
Labels:
beautiful,
crisis,
g. c. waldrep,
george oppen,
particular,
political,
precision,
small,
song,
specific,
specificity,
times,
violence
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