if representative form has value, it is as form, not as representation. The representative element in a work of art may or may not be harmful; always is irrelevant. For, to appreciate a work of art we need bring with us nothing from life, no knowledge of its affairs, no familiarity with its emotions.
—Clive Bell, Art (Oxford U. Press, 1987, p. 25)
[Of course, one might ask, "What choice have we? It's not as though we can set aside all prior experience before we address a work of art."]