what kind of

Poet, ask what kind of ‘flower’, what kind of ‘bird’, what ‘tree’?

image test

Is it an image or an idle detail?

things therein

A poem that was a cabinet of curiosities

near eye

At first art is archaic, the sensible form being rudely controlled by the artist's hand; it becomes, in the second stage, classical, the form being adequate to the thought, a transparent expression; last, it is decadent, the form being more than the thought, dwarfing it by usurping attention on its own account.

The peculiar temptation of technique is always to elaboration of detail; technique is at first a hope, it becomes a power, it ends in being a caprice; and always as it goes on it loses sight of the general in its rendering, and dwells with a near eye on the specific.

—George E. Woodberry, "A New Defence of Poetry," Heart of Man, and Other Papers (Harcourt, Brace & Howe, 1920)

breeze of surprise

     There are so many ways to go, the detectives know, opposition and conflict, theories drifting over and beyond one another. Things changed by the act of observation. The old laws of physics. Speed and position. Time and distance.
     They will comb through images, looking for any random detail, the breeze of surprise, a clue. The more obscure the moment, the more valuable the knowledge. There is always a chance they will spot something they already overlooked.
     They work in much the same way as poets: the search for a random word, at the right instance, making the poem itself much more precise.

—Colum McCann, Thirteen Ways of Looking (Bloomsbury Publishing, 2015).

luminous detail

Ezra Pound makes the distinction between “multitudinous detail*” and “luminous detail” in a poem, the latter being that image that suggests so many others because it is connected somehow to the world, the universe, the collective experience of any number of people. We can make a list of all the images we remember from eighth grade, and try to fit as many possible into a poem (the multitudinous method), or we can try for those few that glow with connections, that suggest others (the luminous method). So many lasting poems are made of recollected, luminous detail.

—David Citino, “Tell Me How It Was in the Old Days,” The Eye of the Poet: Six Views of the Art and Craft of Poetry (Oxford Univ. Press, 2002)

*Ezra Pound, Selected prose, 1909-1965, William Cookson ed., New Directions, 1973, 22.

desciption's diminishing returns

With detail and description there is always the law of diminishing returns: At a certain point the language becomes an intricate, often beautiful, damask that occludes all beneath its surface.

lost in performance

Performance tends to enlarge the text to the point that all nuance and detail are lost due to scale.