Showing posts with label word. Show all posts
Showing posts with label word. Show all posts
6.03.2026
1.31.2026
8.08.2025
word well
For a poet, each word is a well: dark, deep, full of echoes, and the faint reflection of water.
5.20.2024
5.02.2024
4.25.2024
1.25.2024
personal music
I learned, from Edwin [Denby], that each phrase was an object and that word order was plastic; that each word used all of its space and so had to fill it; that each line floated as well as connected; and that where a sentence stopped and another began was ambiguous, like in speech. I learned that one could place personal suffering in a context that might be communal as of persons or communal as of objects and actions and words—either one worked as community. I thus learned a scale one was being along that began with oneself and others in one’s apartment and proceeded out onto the street and into the imaginary space of painting and ballet on up into the sky above tall buildings, all inside one and one inside it. I learned not to fear the sound of personal peculiarities in poetry, personal “music,” that that’s what the poems would finally be made of.
—Alice Notley, “Intersections with Edwin’s Lines,” Telling the Truth as It Comes Up: Selected Talks & Essays 1991-2018 (The Song Cave, 2023)
—Alice Notley, “Intersections with Edwin’s Lines,” Telling the Truth as It Comes Up: Selected Talks & Essays 1991-2018 (The Song Cave, 2023)
Labels:
alice notley,
edwin denby,
mentor,
personal music,
plastic,
poetics,
word
2.10.2023
walk for one word
I went out for a walk to find the word I was looking for.
Out for a walk, I have often found the words I was looking for lying about in the landscape, as easy to gather as bending to pick up a stone or reaching up to snap off a dead twig.
Out for a walk, I have often found the words I was looking for lying about in the landscape, as easy to gather as bending to pick up a stone or reaching up to snap off a dead twig.
11.01.2022
word from nowhere
The improbable word that makes possible the whole poem.
Labels:
composition,
improbable,
nowhere,
possible,
word
8.22.2022
three realms
The finest writing is for the voice. There are several good, not to say decisive, reasons for this. No word is a word by itself. Every word is multiple, and not simply because there are homonyms and homophones hanging around, pretending to be friends. A word is made of sounds. A word is made of marks. A word is made of little muscle movements in the throat which accompany our interior speech—that invisible, inaudible, yet clearly heard interior talk of which Samuel Beckett made himself the master. So there are two spoken tongues to set against the one we write. And if we allow the written word to stand for the spoken one, and the silent speech to precede both, then the written word works in three realms at once, not just one.
—William H. Gass, “Finding a Form,” Finding A Form: Essays (Knopf, 1996)
—William H. Gass, “Finding a Form,” Finding A Form: Essays (Knopf, 1996)
Labels:
interior talk,
language,
samuel beckett,
sound,
speech,
voice,
william gass,
word
3.02.2022
11.30.2021
11.11.2021
starting gate
The first line should be like the start of a horse race. Each word, whether calm or jumpy, guided into a stall of the starting gate. Then…the bell rings, and they run.
Labels:
bell,
calm,
first line,
jumpy,
stall,
starting gate,
word
9.05.2021
8.27.2021
attractive sentences
Attracted by a good sentence, it was hard for her to enjoy lines broken into single words and disconnected phrases and clauses.
Labels:
attraction,
clause,
disconnected,
phrase,
sentence,
word
7.15.2021
3.12.2021
words you don't know yet
Many said [in the publishing world] that it was not a children's book. The vocabulary was much too difficult...
"But my feeling was that there is no such thing as a difficult word. There are only words you don't know yet,..."
—Norton Juster, quoted in his obit by Andrew Limbong
"But my feeling was that there is no such thing as a difficult word. There are only words you don't know yet,..."
—Norton Juster, quoted in his obit by Andrew Limbong
10.31.2020
4.06.2020
two poles
There are poets who come from the word, and poets who come from the world. Most poets are suspended in that strange and uneasy magnetism between those two poles.
12.22.2019
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