Showing posts with label fit. Show all posts
Showing posts with label fit. Show all posts
10.14.2025
better fit
Many poets don’t realize their poems would be a better fit as prose.
Labels:
fit,
poetry v. prose,
prose
9.05.2021
9.30.2017
when it all fits
Strange—we are always inhabiting more than one realm of existence—but they all fit in if the art is right.
—Lorine Niedecker, in a letter to Cid Corman, quoted in Radical Vernacular: Lorine Niedecker and the Poetics of Place edited by Elizabeth Willis.
—Lorine Niedecker, in a letter to Cid Corman, quoted in Radical Vernacular: Lorine Niedecker and the Poetics of Place edited by Elizabeth Willis.
Labels:
art,
cid corman,
existence,
fit,
lorine niedecker,
realm,
right
6.30.2016
2.07.2016
hard cases
He wrote poems with words that don’t fit well into poems.
Labels:
anti-poetry,
fit,
words
10.10.2015
leaping junk to junk
How do these seemingly disparate elements weld together? What makes this part or that fit where they do? How does a steel beam fit into its place in David Smith’s sculpture? How do images, and memories they engender, fit into our histories? In his “Conversation about Dante,” Osip Mandelstam notes, “One has to run across the whole width of the river, jammed with mobile Chinese junks sailing in various directions. This is how the meaning of poetic speech is created. Its route cannot be reconstructed by interrogating the boatmen: they will not tell how and why we were leaping from junk to junk.” These mysterious instabilities of making then coalesce into a poem, into this poem.
—James McCorkle, ”The Making of a Poem,” Poems and Their Making: A Conversation (Etruscan Press, 2015), moderated by Philip Brady.
—James McCorkle, ”The Making of a Poem,” Poems and Their Making: A Conversation (Etruscan Press, 2015), moderated by Philip Brady.
Labels:
cross,
david smith,
disparate,
fit,
images,
instabilities,
james mccorkle,
junk,
memories,
osip mandelstam,
poetic speech,
river
1.22.2015
fitted lines
Like in a New England stone wall, the rough edges of words will be what makes them fit together.
Labels:
composition,
fit,
new england,
rough,
stone,
stone wall,
words
2.14.2013
pages unable to contain
The megapoem could hardly fit in a codex book. [Thinking of Olson’s “Maximus”]
Labels:
charles olson,
codex book,
fit,
page
11.11.2011
good tailor
Like a good tailor who fashions a suit that fits one man (or even two) resplendently; and an overcoat that might suit two or three—thus for me might my poems be made ‘to fit’, in one case (or perhaps in two or three). This comparison is somewhat deprecatory (only in a superficial sense); but it is, I think, accurate and reassuring. If my poems do not fit in a general sense, then they fit in a particular sense. This is no small matter. Their truth is, in this fashion, guaranteed.
—C.P. Cavafy, Selected Prose Works (U. of Michigan Press, 2010), translated by Peter Jeffreys
—C.P. Cavafy, Selected Prose Works (U. of Michigan Press, 2010), translated by Peter Jeffreys
Labels:
audience,
c.p. cavafy,
fashion,
fit,
quote,
reader,
tailor-made
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