Showing posts with label open. Show all posts
Showing posts with label open. Show all posts
6.02.2022
3.29.2020
exposed and open
In order to understand art, one must be exposed to art in as many of its manifestations as possible, and then one must be open to those varied experiences, in order to develop a true and abiding feeling for art.
Labels:
art,
experience,
expose,
feeling,
manifestation,
open
12.08.2019
describe or explain
The subject was science, and I heard a useful distinction made between ‘describing’ and ‘explaining’. The former is more open to alternative interpretations of what the thing/phenomenon is, showing us what there is to experience. The latter is more closed, trying to say why it is and why it is the way it is.
3.04.2017
known by heart
Without glancing at the contents page or index he cracked open the book at the very poem he wanted to read again.
Labels:
contents page,
favorite poem,
index,
open,
poetry book
5.31.2016
great leap
A first line that made you believe anything could happen next.
Labels:
beginning,
composition,
first line,
next,
open
6.14.2015
own the moment
Each week to find that moment that opens, widens out into a poem.
Labels:
experience,
moment,
occasion,
open,
writing process
1.23.2015
a door and a window
My sense of the poem is rather classic. I think of a beginning, a middle and an end. I don't believe in open form. A poem may be open, but then it doesn't have form. Merely to stop a poem is not to end it. I don't want to suggest that I believe in neat little resolutions. To put a logical cap on a poem is to suffocate its original impulse. Just as the truly great piece of architecture moves beyond itself into its environment, into the landscape and the sky, so the kind of poetic closure that interests me bleeds out of its ending into the whole universe of feeling and thought. I like an ending that's both a door and a window.
—Stanley Kunitz, "The Art of Poetry No. 29," an interview by Chris Busa, The Paris Review (Spring 1982, No. 83)
—Stanley Kunitz, "The Art of Poetry No. 29," an interview by Chris Busa, The Paris Review (Spring 1982, No. 83)
Labels:
architecture,
classic,
closure,
composition,
door,
ending,
form,
open,
stanley kunitz,
window
3.30.2014
plagiarist's curse
We must pity the plagiarists. For they’re forced to steal second-rate texts in order to escape immediate detection. And thankfully the truly great texts, the treasures of the age, some laying open for all to see, are unknown by anyone.
Labels:
curse,
great poetry,
open,
plagiarism,
the age,
unknown
11.28.2006
box or old barn
Even a poem that closes, as Yeats said, like a box clicking shut, is open in many ways…reading it is like being inside an old barn with many missing boards and shingles, the light streaming in from many directions.
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