lives of the young poets

Politics was not our sole passion. We were even more attracted by literature, the arts, and philosophy. For me and for a few of my friends, poetry turned, if not into a public religion, at least into an esoteric cult wavering between the catacombs and the conspirators’ basement. I found no contradiction between poetry and revolution: they were two facets of the same movement, two wings of the same passion. This belief would link me later to the surrealists. The plural avidity: life and books, street and cell, bars and loneliness in crowds in cinemas.

—Octavio Paz, Itinerary (Harcourt, 1999), translated by Jason Wilson [33]

age overturned

The movement to free verse at start of the twentieth century, the turning away from regular meters and rhyme schemes, was much like the great shift in painting that occurred in the late 1200s in Italy. Driven by Cimabue and then Giotto, it brought naturalism into painting that too long had relied on the formulas that make early paintings look stilted and unreal to modern eyes.

at the kitchen table

I have a great affection for the picture of Emily Bronte's loaves rising, but am fonder of Tsvetaeva, one daughter living, one daughter dead, clearing a defiant space on the kitchen table. To be torn apart by births or revolutions or both, and survive at least for a time, is a prerequisite for the fullest genuine genius to flower.

—Medbh McGuckian, from Delighting the Heart: A Notebook by Women Writers (Women’s Press, 1989), edited by Susan Sellers

no shopping list

And so poetry is not a shopping list, a casual disquisition on the colors of the sky, a soporific daydream, or bumpersticker sloganeering. Poetry is a political action undertaken for the sake of information, the faith, the exorcism, and the lyrical invention, that telling the truth makes possible. Poetry means taking control of the language of your life. Good poems can interdict a suicide, rescue a love affair, and build a revolution in which speaking and listening to somebody becomes the first and last purpose to every social encounter.

—June Jordan, June Jordan’s Poetry for the People (Routledge, 1995), edited by Lauren Miller.

[Quoted from Illuminations: Great Writers on Writing (T&WBooks, 2003), edited by Christina Davis & Christopher Edgar.]