Showing posts with label what's poetry for. Show all posts
Showing posts with label what's poetry for. Show all posts
5.08.2022
important poetry
When one reads enough poems, one learns the important entry points to the universe.
3.21.2022
why read poetry
Reason #449 to read poetry: Poetry is a repository of knowledge about our world.
Labels:
knowledge,
repository,
what's poetry for,
world
12.03.2020
through poetry
Poetry, for me, has been a slow education. In the seductiveness of patterned sound. In sensory imagery as a relatively direct mode of thought. In the cryptic encoding and decoding of experience. Ultimately in the exhilarating and unexpected transmission of thought, fact, and feeling that are not only made possible through poetry, but are irrepressible in it.
—Roo Borson, Counterclaims: Poets and Poetries, Talking Back (Dalkey Archive Press, 2020)
—Roo Borson, Counterclaims: Poets and Poetries, Talking Back (Dalkey Archive Press, 2020)
Labels:
experience,
imagery,
pattern,
roo borson,
sound,
what's poetry for
11.26.2020
2.17.2020
under grandeur, grandeur under
The business of the poet and novelist is to show the sorriness underlying the grandest things, and the grandeur underlying the sorriest things.
—Thomas Hardy, from 1885 notebook; quoted in The Life of Thomas Hardy, p. 171
—Thomas Hardy, from 1885 notebook; quoted in The Life of Thomas Hardy, p. 171
2.09.2020
priceless poetry
Poetry stands in resistance to this commercial culture. It is not about acquiring material wealth; instead, it’s about human insight, genuine human connectivity, and promotes mindfulness and awakening. In that way, poetry is priceless.
—Arthur Sze, Tricycle: The Buddhist Review, Interview with Arthur Sze by Kenji C. Liu, Jan 26, 2020.
—Arthur Sze, Tricycle: The Buddhist Review, Interview with Arthur Sze by Kenji C. Liu, Jan 26, 2020.
Labels:
arthur sze,
awakening,
commercial,
culture,
human,
insight,
material,
mindfulness,
priceless,
wealth,
what's poetry for
5.13.2017
price paid
The one price you pay for poetry is attention.
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If you believe, as I do, that poetry is a part of the world's work—a human need—you don't feel time spent on poetry is idle. Poetry's not a luxury but a deep and permanent part of language making.
—Mary Ponsot, Knopf's Question-a-Poet Contest (April 2000)
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If you believe, as I do, that poetry is a part of the world's work—a human need—you don't feel time spent on poetry is idle. Poetry's not a luxury but a deep and permanent part of language making.
—Mary Ponsot, Knopf's Question-a-Poet Contest (April 2000)
Labels:
attention,
human need,
language,
luxury,
mary ponsot,
poet's life,
price,
what's poetry for
3.07.2017
word stock
One of the many beneficent aspects of poetry: Learning new words.
Labels:
learning,
new words,
reading poetry,
vocabulary,
what's poetry for,
words
12.31.2016
goodbye to lonnie
Warning: Writing and/or reading poetry is good for your health. I urge non-poetry readers to open-mindedly browse through the pages of poetry books, especially the works of contemporary poets who amplify our daily ordinariness with craftsmanship and courage. To truly appreciate the language of poetry is to be able to come back to it again and again. Not with wisdom supplied by educators or cerebral articles addressing The Real Meaning, but a willingness to allow the senses to be stirred and nourished. Even reading poetry as a child, I never worried if I “got” it.
Often students ask where my ideas stem from. Naively I refer to a barrage of inspirations, bowing to the commonplace and the patois of my childhood. But mostly they are guided by the opening of Zora Neale Hurston’s book Their Eyes Were Watching God...“Ships at a distance have every man’s wish on board.” That one sentence embodies a poetry I crave to attain. In retrospect there was always a thirst, a growing growl, to tackle and nonchalantly lay down words capable of breathing on their own. At times I’m not quite sure how to start or even where a poem may end. Though the writing process often gets the better of me, I welcome the taste of language and the ability to share it with others. One’s imagination is always on the brink of something else. There’s an old saying that there’s never anybody around when you wrestle with an angel. Nonetheless, poets write because they have to…and the angels know it.
It is rare that people actually go after the things they want to do and become in their lifetimes. Far too many wave back at their dreams. Through poetry I am able to passionately be on board with my wishes.
—Lonnie Black (1958-2016), prose piece originally published in Hartford Courant's Northeast Magazine.
Often students ask where my ideas stem from. Naively I refer to a barrage of inspirations, bowing to the commonplace and the patois of my childhood. But mostly they are guided by the opening of Zora Neale Hurston’s book Their Eyes Were Watching God...“Ships at a distance have every man’s wish on board.” That one sentence embodies a poetry I crave to attain. In retrospect there was always a thirst, a growing growl, to tackle and nonchalantly lay down words capable of breathing on their own. At times I’m not quite sure how to start or even where a poem may end. Though the writing process often gets the better of me, I welcome the taste of language and the ability to share it with others. One’s imagination is always on the brink of something else. There’s an old saying that there’s never anybody around when you wrestle with an angel. Nonetheless, poets write because they have to…and the angels know it.
It is rare that people actually go after the things they want to do and become in their lifetimes. Far too many wave back at their dreams. Through poetry I am able to passionately be on board with my wishes.
—Lonnie Black (1958-2016), prose piece originally published in Hartford Courant's Northeast Magazine.
7.29.2016
revelation
Language as medium of communication is a given, but poetry reveals language as a force of nature.
Labels:
communication,
force,
language,
nature,
ontology,
what's poetry for
12.31.2015
stay alive
We tell each other stories to help each other live. That’s why I read poetry. I read poetry to stay alive. That’s why I went to poetry in the first place, that’s why I stay with it, that’s why I’ll never leave it. Because poetry alone carries the truth of “is-ness.”
—Marie Howe, BOMB 61, Fall 1997, interview by Victoria Redel.
—Marie Howe, BOMB 61, Fall 1997, interview by Victoria Redel.
Labels:
is-ness,
live,
marie howe,
stay alive,
stories,
truth,
what's poetry for
7.20.2015
speak up
The only danger to poetry is the reticence and silence of poets.
—Eavan Boland, "Letter to a Young Woman Poet," American Poetry Review (May/June 1997).
—Eavan Boland, "Letter to a Young Woman Poet," American Poetry Review (May/June 1997).
Labels:
danger,
eavan boland,
reticence,
silence,
what's poetry for,
women poets
6.27.2015
matter of interest
Poetry, as other object matter, is after all for the interested people.
—Louis Zukofsky, preface to A Test of Poetry (1948)
[Poetry after all, one might add, is for interesting people.]
—Louis Zukofsky, preface to A Test of Poetry (1948)
[Poetry after all, one might add, is for interesting people.]
Labels:
audience,
interest,
louis zukofsky,
what's poetry for
2.10.2015
won't change the world
Qualcuno mi ha detto
che certo le mie poesie
non cambieranno il mondo.
Io rispondo che certo si
le mie poesie
non cambieranno il mondo.
==
Someone told me
of course my poems
won’t change the world.
I say yes of course
my poems
won’t change the world.
[Translation by Gini Alhadeff.]
– Patrizia Cavalli, My Poems Won’t Change the World (Farrar, Straus and Giroux, 2013), edited by Gini Alhadeff
che certo le mie poesie
non cambieranno il mondo.
Io rispondo che certo si
le mie poesie
non cambieranno il mondo.
==
Someone told me
of course my poems
won’t change the world.
I say yes of course
my poems
won’t change the world.
[Translation by Gini Alhadeff.]
– Patrizia Cavalli, My Poems Won’t Change the World (Farrar, Straus and Giroux, 2013), edited by Gini Alhadeff
2.15.2014
step and breath
Poetry that is not palliative, not a cure for pain and loss; rather it is a course, a way forward if only by the step of a next breath speaking a word.
12.15.2013
comb through
I could feel those lines of poetry comb through my soul.
Labels:
comb,
lines,
soul,
what's poetry for
7.03.2013
went through
Only one thing remained reachable, close and secure amid all losses: language. Yes, language. In spite of everything, it remained secure against loss. But it had to go through its own lack of answers, through terrifying silence, through the thousand darknesses of murderous speech. It went through. It gave me no words for what was happening, but went through it. Went through and could resurface, 'enriched’ by it all.
In this language I tried, during those years and the years after, to write poems: in order to speak, to orient myself, to find out where I was, where I was going, to chart my reality.
—Paul Celan, "Edgar Jené and The Dream About The Dream," Collected Prose (Carcanet, 1986), translated by Rosmarie Waldrop
In this language I tried, during those years and the years after, to write poems: in order to speak, to orient myself, to find out where I was, where I was going, to chart my reality.
—Paul Celan, "Edgar Jené and The Dream About The Dream," Collected Prose (Carcanet, 1986), translated by Rosmarie Waldrop
Labels:
loss,
orient,
paul celan,
quote,
reality,
silence,
tangauge,
what's poetry for
6.27.2013
no shopping list
And so poetry is not a shopping list, a casual disquisition on the colors of the sky, a soporific daydream, or bumpersticker sloganeering. Poetry is a political action undertaken for the sake of information, the faith, the exorcism, and the lyrical invention, that telling the truth makes possible. Poetry means taking control of the language of your life. Good poems can interdict a suicide, rescue a love affair, and build a revolution in which speaking and listening to somebody becomes the first and last purpose to every social encounter.
—June Jordan, June Jordan’s Poetry for the People (Routledge, 1995), edited by Lauren Miller.
[Quoted from Illuminations: Great Writers on Writing (T&WBooks, 2003), edited by Christina Davis & Christopher Edgar.]
—June Jordan, June Jordan’s Poetry for the People (Routledge, 1995), edited by Lauren Miller.
[Quoted from Illuminations: Great Writers on Writing (T&WBooks, 2003), edited by Christina Davis & Christopher Edgar.]
Labels:
june jordan,
lyrical,
political,
quote,
rescue,
revolution,
suicide,
what's poetry for
1.10.2011
inner and then more
All great poems...by the way they colonize and amplify and enhance the music of our own inner voices, of consciousness and conscience, ask us to be greater than we are, and if we read them well even show us how to begin.
—C. K. Williams, On Whitman (Princeton U. Press, 2010)
—C. K. Williams, On Whitman (Princeton U. Press, 2010)
7.20.2009
against guidebooks
Do we need another guidebook to tell poets what blank verse is or how many stresses are in a pentameter line? Because most poets can’t access the sources of their art, they write books that lapse into nomenclature and technical know-how. The best books about poetry, however strained and inarticulate, are those that try to explain what it takes to create a poem from the experiences of one’s life within the world in which one lives.
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