I see little difference between poets and the inventors of self-propelled flying machines.
7.29.2008
7.28.2008
leap or fall
There is something in art that can’t be taught: What can be taught is an approach, an address or a stance, a way of being available to what might come next. But in all art, after that, it’s the leap, or the fall, and those events can only be experienced.
7.27.2008
substitution of terms
Laws, like sausages, cease to inspire respect in proportion as we know how they are made.
—John Godfrey Saxe (lawyer and poet), The Daily Cleveland Herald, March 3, 1869.
Poems, like sausages, cease to inspire respect in proportion as we know how they are made.
—John Godfrey Saxe (lawyer and poet), The Daily Cleveland Herald, March 3, 1869.
Poems, like sausages, cease to inspire respect in proportion as we know how they are made.
Labels:
john godfrey saxe,
making,
quote,
respect,
sausages,
substitution of terms
7.24.2008
7.23.2008
phone sex scansion
When poets talk about scansion it reminds me of phone sex…lovers from afar aching to close the distance.
7.21.2008
7.20.2008
poetry of flowers
The poetry of flowers contains no pedantry and no affectation.
—Anna Fitch Ferguson, Bits of Philosophy (1933)
(At a book sale, I found this lovely little book by a woman who lived much like Thoreau at Walden Pond: simply, with a writing implement and ready aphorism.)
—Anna Fitch Ferguson, Bits of Philosophy (1933)
(At a book sale, I found this lovely little book by a woman who lived much like Thoreau at Walden Pond: simply, with a writing implement and ready aphorism.)
Labels:
affectation,
anna fitch ferguson,
flowers,
pedantry,
quote
7.19.2008
plain sight
Plain sight is poetry because real seeing is such a rare phenomenon.
Labels:
phenomenon,
real,
seeing,
sight
7.17.2008
7.16.2008
lost in its distance
A poem at a remove, is a poem flirting with the chasm in which it will be lost.
Labels:
aesthetic distance,
chasm,
distance,
lost,
remove
7.15.2008
7.13.2008
unnecessary / essential
Poetry exists at the poles of unnecessary language and essential language.
Labels:
essential,
language,
poetry is,
poles,
unnecessary
7.10.2008
abstract critical violence
But I would raise the question…whether what I have called “matter of fact” criticisms (of which there have been a good many varieties) are not less likely, in general, to do violence to our common sense of apprehension of literature or poetry than the “abstract” criticisms I have contrasted with them. The “abstract” method , as Hume said, apropos of its use in morals, “may be more perfect in itself, but suits less the imperfection of human nature, and is a common source of illusion and mistake in this as well as in other subjects.”
—R.S. Crane, The Languages of Criticism and the Structure of Poetry (U. of Toronto Press, 1953)
—R.S. Crane, The Languages of Criticism and the Structure of Poetry (U. of Toronto Press, 1953)
Labels:
abstract,
criticism,
david hume,
imperfection,
literature,
quote,
r.s. crane
7.09.2008
banal personal reminisces
Why are so many banal personal reminiscences passed off as poetry?
Labels:
autobiographical,
banal,
reminiscences
7.07.2008
7.02.2008
7.01.2008
threatens literature
To write the poetry that threatens literature as we know it.
Labels:
challenge,
literature,
threaten
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