There are two masters, Antonio Machado and Juan Ramón Jiménez. The first lives on a pure plane of serenity and poetic perfection; a human and celestial poet who has already transcended every sort of struggle, the absolute master of his prodigious inner world. Jiménez is a great poet ravaged by the terrible exaltation of his “I,” lacerated by the reality around him, stung incredibly hard by insignificant things, his ears tuned to the world, which is the true enemy of his marvelous and unique poetic soul.
—Federico Garcia Lorca, “Conversation with Bagaría,” Deep Song and Other Prose (New Directions, 1975), edited and translated by Christopher Maurer.
Showing posts with label juan ramon jiménez. Show all posts
Showing posts with label juan ramon jiménez. Show all posts
7.04.2017
5.31.2006
ordinary and rare words
What matters in writing, I think, is that the ordinary word seems to be used for the first time, and the rare one seems ordinary, so that one doesn't stumble over it and no word feels strange or wrong, wherever it is placed.
—Juan Ramon Jiménez, The Complete Perfectionist: The Poetics of Work, ed. Christopher Maurer (Doubleday, 1997), p. 147
—Juan Ramon Jiménez, The Complete Perfectionist: The Poetics of Work, ed. Christopher Maurer (Doubleday, 1997), p. 147
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