Showing posts with label transcend. Show all posts
Showing posts with label transcend. Show all posts
4.01.2020
guiding spirits of lit
Certain writers (e.g., Dante, Shakespeare, Dickinson,...) are no longer historical literary figures, having transcended the bonds of time, they’ve become guiding spirits of literature.
Labels:
great writers,
literature,
spirits,
time,
transcend
12.23.2017
transcendent particulars
The poet-critic Robyn Sarah, quoting from her own notebook entry, in a piece called “Poetry’s Bottom Line,” stated that she had three things she looked for in a poem. The first, that a poem “should transcend its own particulars,” I had no reason to argue with. But the second and third seemed contradictory, perhaps because of the figurative nature of the statements: “2) it should be built to bear weight” and “3) it should have lift.” These two elements are somewhat at odds in the physical world, though both are admirable qualities for a poem. My mind wanted to find an analog for weight-bearing and lift: Just north of where I live there is an airbase where several Lockheed C-5 Galaxy military transport jets take off and land. They can certainly bear weight (many tons of equipment), and have lift enough to bear that weight aloft, though in flight they appear lumbering. Then I thought of a more apt thing from this world: a cathedral. Certainly, as something built of stone, and often buttressed, the cathedral’s arches bear great weight. And by their height, the arches leading to thinner ribs, holding tall stain-glass windows, under a vaulted dome and great spire(s), all of these aspects create ‘uplift,’ as one raises the head upward to gaze in awe, so that if the experience is not one of actual lift, the feeling of a lifting toward the heavens is there, leading one back to her first notion of ‘transcending its particulars’ of stone, timber and glass.
Labels:
cathedral,
contradictory,
flight,
lift,
notebook,
physical,
poetry is,
robyn sarah,
transcend,
weight
4.10.2017
not a transcendent act
I was going to suggest that 'This poem needs to molt its form.' Then I realized that act is not a metamorphosis.
10.05.2015
7.01.2015
escape artist
The confessional poem is a ‘Houdini box’ from which the self emerges gasping. To gasps of the audience…and then to their rising applause, for having transcended such distress.
Labels:
applause,
audience,
confessional,
distress,
gasp,
houdini box,
self,
transcend
10.23.2013
over and under
A competently handled translation transcends the original as often as it fails to meet the original on equal terms.
Labels:
original,
transcend,
translation
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